StoryMomma

How a Storyteller thinks she's going to save the world, one story at a time

Sunday, February 2, 2020


I had the honor and pleasure of narrating Yoko Nakatani's "Adventures of John Manjiro" at the New Bedford Whaling Museum in October 2019. I performed with pianist Yukiko Sekino, and together told the amazing true story of a Japanese teenager who was shipwrecked, rescued by a whaling ship, and brought to New England. The performance was a ton of fun, and the music is exciting; what a great collaboration!

Adventures of John Manjiro

Posted by Doria at 1:39 PM No comments:

Saturday, October 20, 2018

Long Live the Queen!


Last summer, an eight-year-old girl called Saga pulled a sword out of a Swedish lake. In this article, she raises the question of whether that makes her a queen. As a Storyteller, I was particularly excited when Saga noted that people immediately connected her action of pulling the sword from a lake with the famous legend of King Arthur and the Lady of the Lake who conferred kingship upon him in the way that Saga herself unconsciously replicated, more than a thousand years later. That evidence of connection with legends and stories of the distant past makes my spirit soar.

At the same time, there is a darker undercurrent to this story. Saga undoubtedly recovered the pre-Viking weapon because, as her father explained to her, "it had been the hottest summer for 260 years", which resulted in a noticeable drop in the lake's water level. These hot temperatures across Europe are a double-edged sword indeed, revealing ancient and long-lost or forgotten treasures or markings in the landscape, at the same time as they herald a new and dangerous future for Saga and her children.

Perhaps the sword can be interpreted as a message from our ancient ancestors: a warning that difficult times may be on the way.... and that new and youthful female leadership may be the answer to the problems we face.

Long live the Queen! May she lead us wisely and well.


Vivian, the Lady of the Lakeby annewipf

Posted by Doria at 9:34 AM No comments:

Tuesday, August 7, 2018

The joys of storytelling in Boston’s neighborhoods

I just finished another joyful round of performances with the ReadBoston Storymobile, a fantastic organization that sends professional storytellers throughout the neighborhoods of Boston, where we perform our stories and distribute books to the children who come to hear us. It’s really a kind of heaven for me!
(Courtesy photo: ReadBoston Storymobile)
The wonderful organizers at ReadBoston coordinate with 47 different sites in 12 different neighborhoods throughout Boston, and send a group of tellers out to perform. Each site gets a date and time that is theirs to host, and every week, a different storyteller visits and performs for them (view the schedule here). Parents and outside day cares and camps are welcome to come and visit for story hour, maximizing the number of children who can benefit from this literacy-supporting activity, and every child leaves with a free book they can take home and keep. Children can visit as many sites as their parents and camp directors can take them to, so they can accumulate a nice little library by the end of the summer!
This has been my 10th summer performing with the ReadBoston Storymobile, and it remains fulfilling and delightful. The children are enthusiastic and love hearing stories, and they are so thrilled to pick out books! This program makes a tremendous difference in the lives of children who might not otherwise get access to live performance and literature. Our program director just reported that we served over 4,000 children this summer—wow! For those who believe in the importance of screen alternatives for developing minds, take a look at ReadBoston and their wonderful work.
Interested in hiring a storyteller? You’ve come to the right place! Here’s more on me:
I’m famous for my silly sound effects and wacky faces, and for encouraging audience participation. I tell trickster tales, silly stories and spooky tales from many different cultures. A co-founder of the Massachusetts-based storytellers organization Massmouth, I perform and teach storytelling and story-reading in schools, libraries, bookstores, museums, water-treatment facilities and private homes, to and for kids and adults of all ages. I’m also a storyteller-in-residence at Porter Square Books in Cambridge and lead the weekly story hour on Wednesdays at 11 a.m. I am the artistic director of Adult Folktale Telling, a local storytelling series devoted to uncensored traditional tale-telling for adults. For more information, please visit doriastories.com, doriastories.blogspot.com and facebook.com/adultfolktaletelling.


Posted by Doria at 3:47 PM No comments:

Friday, December 1, 2017

I'm on TV, woohoo!



Recently, I had the delightful experience of being featured on Story Cafe, a TV show based in Seekonk, which is hosted by the marvelous and talented Karen Chace. She interviewed me and we talked about teaching Storytelling to tweens, and my Adult Folktale Tellings series. I also had the opportunity to perform a Chinese story which I adore, The Four Dragons. Click on the link below and check it out!


I'm on TV!
Posted by Doria at 4:32 PM No comments:

Wednesday, November 30, 2016

He Aint Heavy, He's My Hunnish Brother, or All In the (Berserker) Family, Part IV

.......and now comes the blood-drenched conclusion......

We last found Heidrek fleeing, after having murdered his brother, Angantyr, with the cursed sword, Tyrfing, in a Berserker fit. Good times.

Heidrek had escaped justice for his brother's slaughter, at least for a while. Armed with his ancestral sword, he recapitulated the earlier success of his forebears, and attracted the notice of Harald, King of the Goths. Heidrek did the king a series of unsavory favors, most of which involved doing away with rebellious subjects. Impressed with the young man's ruthlessness and efficiency, King Harald gave him his daughter, Helga, as a wife. Within a short time, Helga bore her husband a son. Heidrek named him Angantyr, in memory of his beloved brother whom he had murdered. The boy gave every indication of being as fierce and warlike as his father and grandmother, and Heidrek loved him as much as his stunted heart allowed.

Some years later, the land of the Goths was stricken with crop failure and famine. Instructed by his priests to sacrifice a prince of his blood to Odin, King Harald determined to offer up his young grandson, Angantyr. If he imagined that his son-in-law would be compliant with this plan, he soon found that he had sorely misjudged the man. Heidrek rose up in rebellion against his father-in-law, and slew him with Tyrfing. When Helga heard that her husband had killed her father, she hung herself in despair.

Little disposed to mourn his wife and her family, Heidrek quickly assumed the Gothic kinship and used Tyrfing to forcibly consolidate and then expand his territory. He set his sights on the land of the Huns, who defended their land as best they could, whereupon he kidnapped the daughter of the Hunnish king, and raped her. After impregnating her, he sent the Hunnish princess home, where she gave birth to a son named Hlöd. Subsequently, Heidrek married and divorced a succession of Scandinavian princesses; not surprisingly, each marriage was more loveless than the last. However, his fourth wife bore him a daughter, whom he named Hervor, for his mother. Heidrek wasn't much of a husband, but he does seem to have been attached to his children, or at least interested in their welfare. From the time of his daughter's birth, he seems to have curtailed his raiding activity and stayed close to home. At least for a while.

However, the urge to go a-viking, and the lure of wielding Tyrfing to grasp more land and plunder eventually won out over whatever family feeling Heidrek possessed. Having subdued the Goths and the Huns and made alliances with the Scandinavian princes to the north, Heidrek decided to invade the people of the untamed Carpathian mountain range. He raised an army and brought his son, Angantyr, as bloodthirsty and ambitious a warrior as his father. But while Heidrek was secure in the allegiance of his son and heir, his army bore him little love, and less loyalty. Surrounded as he was by men whom he had defeated and brought forcibly under his domination, he did not perceive his own peril until it was too late.

One night, while asleep in the Carpathian wilds and surrounded by his supposedly loyal army, eight bondsmen crept stealthily into his tent. Perhaps they only intended to rob the king; more likely, they had a score to settle with the king who had enslaved them. Regardless, one of them drew Tyrfing from its scabbard, with the result that Heidrek died, fittingly, upon the blade of his own sword. But the unlucky thralls were caught in the act by the murdered king's son, Angantyr, who slew all eight men with his father's blade. Armed with Tyrfing, Angantyr, the third of his name and proud scion of the violent House of Arngrim, wasted no time in seizing his father's crown and taking control of his army. He was rather surprised to discover that he was not unopposed in his claim to his father's lands and title.

It turns out that Hlöd, Angantyr's long-neglected younger half-brother and son of the Hunnish princess whom Heidrek had ill-used, felt that he was entitled to half of their father's territory. He even went so far as to name boundary points between the lands that he and Angantyr would divide (one of these was a forest called Mirkwood). Hlöd's efforts were wasted. Self-assured and comfortably in possession of the Gothic kingship, Angantyr publicly named Hlöd a bastard, thereby implying that the Hunnish prince was ineligible to inherit any portion of their father's patrimony. This turned out to have been a dangerous move, for Hlöd was fully prepared to fight his half-brother for what he considered his rightful inheritance.


According to the early saga sources, Hlöd brought an improbably enormous force of 343,200 mounted Huns to invade his brother’s lands. Even more improbably, Angantyr and his Goths defeated the Hunnish horde; Angantyr struck down his brother Hlöd on the field of battle with Tyrfing. The deed was done swiftly and without remorse, yet Angantyr lingered for a moment over Hlöd's body. As he held the gore-spattered blade over the bloodied carcass of his only brother, he spoke:
Bölvat es okkr, bróðir,
bani em ek þinn orðinn;
þat mun æ uppi;
illr er dómr norna.
We are cursed, brother,
I am become your slayer
it is yet again true
cruel is the decree of the Norns (Fates).
These words are ascribed to Angantyr in the Hlöðskviða or The Battle of the Goths and Huns.

It is also written there that the slaughter was such that the bodies of numerous warriors choked the rivers and flooded the valleys with dead men and horses. Walking among the dead, Angantyr found his half-sister, Hervor, who had fought the Huns bravely as a shieldmaiden, just as her grandmother and namesake had.




Óbróðurliga vartu leikin, in ágæta systir.
"Unbrotherly the bloody game they played with you, excellent sister."

With the defeat of Hlöd and his Hunnish horde, Angantyr was left as sole heir to the kingship and patrimony of his father, Heidrek. And here, the story of Tyrfing, the dwarf-cursed sword which brought glory and devastation to the House of Arngrim in equal measure, comes to an end.

Posted by Doria at 10:19 AM No comments:

Wednesday, November 23, 2016

Honey I Cursed the Kids, or All in the (Berserker) Family, Part III

Part III, in the ongoing saga of the House of Arngrim the Berserker.......

Hervor, daughter of Angantyr, thought that she had bought herself a Happily Ever After when she claimed and took her dead father's sword, the dwarf-forged Tyrfing. But she reckoned without the curse laid on the blade by its vengeful makers. When she retired from the Viking lifestyle to become a full time homemaker, she laid the sword aside. And there it waited, silently thirsting for blood and destruction.

In peace, she and her princely husband raised their two sons, Angantyr and Heidrek, to manhood. Her elder son was much loved among his father's people, but Heidrek was quarrelsome and violent, and made few friends. Did Hervor tell her boys stories of their grandfather, or of his twelve berserker sons, buried in a haunted mound on the island of Samsø? It is certain that they at least knew about the valuable sword which she kept, but never wielded in their presence.

At some point, Heidrek committed some act of brutality which resulted in his permanent estrangement from his father. We do not know what crime he committed, but it must have been serious, for Hervor's husband banished their younger son, and sent him away, never to return. The sentence was pronounced and enacted without delay, and Heidrek was forced to leave his home with little more than the clothes on his back. As he turned to go, his mother impulsively ran to her chamber and then returned with a wrapped bundle, thrusting it into his hands with a last farewell for the son she would never see again. Hervor had given him her most valuable possession, the one she knew would help her violent and restless offspring make his way in the world in the only way he knew how. Heidrek left his father's hall with Tyrfing strapped to his side.


The young man strode forth into an unknown future. With his hand on the hilt of his mother's sword, he walked with a new confidence, and didn't turn to take a last look back at his childhood home. Past the outskirts of his family's encampment, however, he heard running footsteps behind him. Warily, Heidrek turned to face whoever it was who had followed him from his father's hall, but relaxed when he saw who it was. Angantyr had come to take a private final leave of his younger brother. The two young men embraced and exchanged greetings, and Angantyr offered to walk with Heidrek for a while. Heidrek was glad to have his brother's company; aside from their mother, Angantyr was the only person who had ever cared about him.

They walked in silence for a time, and then Angantyr gestured to the sword that Heidrek wore. Both men had heard rumors and bits of stories about their mother's viking escapades, and understood that her sword was a valuable family heirloom. Angantyr did not begrudge Heidrek his inheritance, but confessed to curiosity. Neither had ever actually seen the blade, Hervor having always kept it carefully sheathed. Angantyr thought there would be no harm done if his younger brother took it out of its scabbard and gave it a flourish, so that they both could get a look at it. Obligingly, Heidrek drew Tyrfing forth.

As the sword left its sheath, Heidrek felt a tremor run through his body, and his sword arm began to shake. A roar burst from his lips as he felt a wave of blood rush up to his brain. His head felt hot, and his vision dimmed as a red haze filmed his eyes. As the berserker frenzy took hold, Heidrek lost all reason, overwhelmed by the imperative to kill. He felt his arm rise and then gave a great animal howl as he struck out with the powerful sword. He felt Tyrfing's blade make contact, heard the groan of his victim, and plunged the blade in again and again. Blood spattered his face and he roared again, lifting Tyrfing to the sky in triumph. 

As quickly as it had descended upon him, the Berserker fit suddenly passed. Heidrek shook his head and felt his vision clear. His chest still heaved from exertion, but his blood cooled and he felt calm again. Warm blood still dripped from the sword in his fist, however, staining his face and clothes. Heidrek looked down and saw his beloved brother, Angantyr, lying butchered on the ground at his feet, dead by his own hand. The curse of Tyrfing was let loose once more to wreck havoc upon the House of Arngrim.

Filled with horror and self loathing, Heidrek fled from the sight of his brother's body. But he kept the sword, and thus did doom stalk the House of Arngrim for yet another generation.....

.........more to come.......
Posted by Doria at 11:44 PM No comments:

Friday, November 4, 2016

Papa Don't Preach, or All in the (Berserker) Family, Part II

...........and now for the continuing story of Hervor the Shieldmaiden, of the House of Arngrim.

                                                                                   Berserkers Inc 
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Arngrim & Sons, licensed to kill (bonded & insured)
Please Inquire for References


If you read my last post, then you'll know all about Hervor, posthumous daughter of Angantyr, who was one of the twelve sons of Arngrim the Berserker. The House of Arngrim was not much mourned after their collective demise, and most folks had hoped that their deeds would be left to molder in the barrow on the small island of Samsø, along with the rotting remains of Angantyr and his brothers. But Hervor had no intention of letting her inheritance rust among her father's bones. She had every intention of carrying on her family's grand tradition of fighting for plunder, and for that, she needed her father's powerful dwarf-forged sword, Tyrfing.


And that's how Hervor found herself on a viking longship, sailing for a small haunted island off of Denmark, in search of her destiny. Her crew willingly followed her to Samsø, but refused to disembark upon that fearful blood-soaked soil. Eager as they were to follow the Berserker's granddaughter into battle, they had no interest in facing the spirits of the restless dead. They left Hervor there to find her father's grave on her own. As the sun sank below the ocean horizon, tiny flames rose from the ground. The flickering ghost lights led her to the barrow she sought, solitary in that abandoned place, with only a simple runestone to marking the final resting spot of the sons of Arngrim.

Nothing daunted, Hervor faced the dark mound and summoned the spirit of Angantyr, demanding the sword which his father had given him, so that she might wield it in turn. The tiny flames along the ground shuddered, but there was no response. Impatient, Hervor called out again, less respectful but with greater urgency. She would not leave without the sword. Again, her voice resounded in silence, with nothing but the moan of the wind to answer her. Enraged and desperate, Hervor shrieked curses upon the dead, wishing eternal torture upon the decaying flesh in the lonely barrow, where her father and uncles lay. That got a response.


Out of the barrow came a weary voice, rusty from lack of use, carrying with it the stench of the grave. Angantyr had heard his daughter, but was reluctant to give up the sword whose curse had brought destruction upon their family. He pleaded with her to leave it there, and to leave the dead in peace. But Hervor would not leave empty-handed. Back and forth they argued and threatened, he reciting the curse, and she implacable in her abuse. Time seemed to slow, with nothing but the dull lights of the dead to keep her company in this spectral colloquy. Until finally, Hervor saw a pale white bone stretch out from the mound, hurling something long and glinting through the air. End over end it turned, before plunging into the dirt by her foot with a vicious thud. It was Tyrfing.





With a shout of triumph, Hervor seized her prize and called out her thanks to her father's spirit. There was no reply, but with the sword in her grip, she left the haunted place filled with excitement, eager to seek her fortune at last. Reclaiming her ship and crew, Hervor picked up where her father and grandfather had left off. True to its nature, Tyrfing could not be unsheathed without taking a life, and Hervor was well-pleased with the terror which she inspired. For years, she led her viking crew from settlement to settlement throughout northern Europe, sowing death and destruction and looting as it pleased her. In time she amassed a considerable fortune in ill-gotten goods; somewhat surprisingly, she found herself tiring of blood sport and decided to settle down.

With her impressive dowry, Hervor had her pick of suitors, and she married a viking prince. She sheathed Tyrfing for the last time, and lived with her husband in peace, bearing him two sons. The elder one she named for her father, Angantyr; against all expectations, he was both handsome and well-liked, making friends easily. But Hervor's younger son, Heidrek, was quarrelsome and given to unprovoked acts of violence. Hervor's husband was fond of Angantyr, but looked with disfavor upon Heidrek. The prince had heard dark rumors of his wife's forebears and their reputation; he knew that something would have to be done about his second son, lest disaster strike the House of Arngrim once more..................


.......to be continued.......
Posted by Doria at 3:56 PM No comments:

Tuesday, November 1, 2016

All in the (Berserker) family, Part I

Last night, I hosted my first Adult Folktale Telling, at lovely Porter Square Books. It was Hallowe'en, and there's nothing like the ancient Celtic New Year to get me in the mood to tell stories. Now, for normal folks, fall's chill makes them yearn for pumpkin spice lattes and ugly Christmas sweaters. And then there's me. That nip in the air puts me in mind of some of my favorite folklore friends: The Suffocated Bride, The Little Old Woman who ate Hairy Toe Stew, the Longridge Boggart, Hoichi the Earless. Those there are my homies, and Hallowe'en doesn't pass without my paying them a visit. This year, I brought a new friend to the party, and she wasn't shy. In fact, she may have freaked out the others, and they don't scare easily.

Her name is Hervor the Shieldmaiden, and she is a Nasty Woman.

The story of Hervor is ancient, its earliest known version dating from the 12th century. Despite having been raised to be a servant and kept in ignorance of her ancestry, her bloody parentage made itself known even before she hit puberty. Given to bursts of savage violence and brutality, unusual even in Viking culture, Hervor made few friends, and her enemies feared her. Whoever told her about her lineage was probably hoping that the news would motivate her to move on. It did.

Turns out, Hervor was the posthumous daughter of Angantyr, one of the twelve sons of Arngrim, a famous Berserker. Violent mayhem was her birthright; that, and a cursed dwarf-forged sword, called Tyrfing. To a penniless orphaned bond-maiden, ownership of Tyrfing offered the promise of wealth and eternal fame, the twin lodestones of Viking culture. Neither curse nor threat of death mattered to Hervor. Only her father's sword, her rightful inheritance. (Believe it or not, Vikings were sticklers for legal niceties regarding legacies and moveable goods. Since women had higher status in Viking society than nearly anywhere else in the ancient world, they could - and did - defend their inheritance rights.) The only wrinkle in this case was that Hervor's relatives were all dead, and their weaponry, including Tyrfing, had been buried with them. But that didn't worry her.

So who were these Berserker relatives? Therein lies a
tale.... Hervor's grandfather, Arngrim, was the first in her family to claim Tyrfing, which he took from the severed hand of its first owner. This was Svafrlami (don't hurt yourself trying to say his name), one of the god Odin's numerous spawn. Odin, lord of Valhalla, was called All-Father for good reason; not even he could keep track of all of the mortal women he impregnated over the centuries, and the men and women who claimed him as their direct ancestor were legion. The luckless Svafrlami had kidnapped and forced a pair of dwarves to forge him an unbreakable, invincible sword. They complied, but in revenge they embedded a curse into the wicked blade, which caused the death of its owner, and three generations of destruction upon the House of Arngrim. In addition, the power of Tyrfing was such that whoever drew it was so overcome by bloodlust, that they felt an irresistible compulsion to kill; no drawback to a Berserker!


Proud Arngrim took Tyrfing, but he also took Svafrlami's daughter, and he fathered twelve murderous Berserker warriors on her for good measure. He amassed a fortune pillaging and terrorizing the land, before retiring in comfort and bequeathing his most prized possession to the tallest and strongest of his sons. In this way, Angantyr son of Arngrim, came to own Tyrfing. One by one, Angantyr and his brothers found and took wives; but, like their mother, few joined the House of Arngrim willingly. One of the twelve, Hjörvard, set his sights on Ingeborg, the daughter of the king of Sweden. With his eleven brothers as his wingmen, he arrived in Uppsala and announced his intention, demanding the princess. But Ingeborg already had a suitor, Hjallmar the champion of Sweden, and she was loathe to marry a Berserker. Enraged, Hjörvard challenged the Swedes and demanded the right to fight for the bride he had chosen. So Hjallmar brought a host of hundreds to meet the twelve sons of Arngrim on the small island of Samsø, off of Denmark, in a bloody battle. It was the Hunger Games, Viking Edition. Total mayhem ensued.

When it was over, the Swedes had triumphed, but just barely. Hjallmar only lived long enough to sing his own death song, but it was a song of victory nonetheless. The twelve sons of Arngrim lay mutilated and dead in a gory heap on the field of battle. The battered Swedish warriors, eager to leave the scene of slaughter, hastily covered over the gruesome corpses with the blood-soaked dirt upon which they lay. In this manner they formed a traditional warriors' barrow in which to contain the dead, whose feats of arms they grudgingly acknowledged with a runestone marking the place where the twelve Berserkers had fallen. No doubt everyone hoped that this marked the end of the reign of terror of the House of Arngrim. No such luck; as we already know, Angantyr's wife bore Hervor several months after the carnage on Samsø. Despite her attempts to keep the story of her daughter's heritage buried, along with her late unlamented husband and his cursed sword, Hervor eventually learned the truth. She somehow got her hands on a ship, recruited a crew, and sailed for Samsø, intent on claiming her inheritance. And that's when things began to get really interesting!



..........to be continued...........
Posted by Doria at 6:27 PM No comments:

Wednesday, January 20, 2016

Story Hour @ Porter Square Books


Here's a shout-out to one of my favorite places: Porter Square Books in Cambridge! Here I am, at my regular Story Hour, reading a terrific book: What Do You Do With a Tail Like This? by Steve Jenkins and Robin Page. It won a Caldecott Award, well deserved; it has beautiful and highly "readable" illustrations, and clear, informative text, as well as a section of "fine print" in the end pages, with more detailed information, for children who want to know more. A real gem of a book, I gave it 5 Stars on Goodreads.


Here I am reading Digger Man, by Andrea Zimmerman and David Clemesha, which is a good book for reading aloud, but poses a challenge, in that the language is emphatically Male Only. Luckily, reading aloud to a group of pre-literate kids, I was able to modify a couple of the words so as to make the world of trucks and diggers equally appealing to girls, as well as boys.
Posted by Doria at 1:32 PM No comments:

Wednesday, November 4, 2015

Hallowe'en Storytelling on CCTV

What a great time we all had, being filmed by CCTV for this year's Hallowe'en special! I was joined by a phenomenal lineup of Storytellers, all recruited by the inimitable Norah Dooley. Enjoy!!

https://www.cctvcambridge.org/node/354277



Spooky Storytellers: Doria Hughes - "The Big Hairy Toe" from Cambridge Community Television on Vimeo.
Posted by Doria at 2:23 PM No comments:

Tuesday, February 24, 2015

Big excitement! I'm preparing to go to Portland, OR in early March, to see three concurrent exhibitions of the work of my late grandmother, Rosemarie Beck, and to deliver a talk at Portland State University on Storytelling in relation to her work. My grandmother was an enormous inspiration to me, especially as a Storyteller, so this is a huge deal and a great opportunity. It's also a great reason to share some of her marvelous pictures on my blog, for all of you to enjoy!

Here are three paintings and one embroidery, on the theme of Antigone. These were all completed in and around 1990, which is when my grandmother was working from this this story. Typically, she depicts her characters in contemporary clothing, even though the story is from Ancient Greece.

Antigone is depicted here, flanked by her uncle, King Creon, and his son, Haemon, and her sister, Ismene.

(This one was considered a study, in preparation for a larger, more completed work)


I love the way her embroidery style mimics her brushstrokes! To see more of her embroideries, check out the current exhibit at the Oregon Jewish Museum and Center for Holocaust Education.

The Helzer Art Gallery at Portland Community College Rock Creek is also showing her work right now, including one of her embroideries.

Posted by Doria at 2:09 PM 1 comment:

Monday, January 21, 2013


Recently, a Storyteller friend and colleague, Tony Toledo, shared a quote by author and artist Lynda Barry with the LANES List-Serve.  (LANES is the League for Advancement of New England Storytelling.  Our List-Serve is open to anyone who is a member of LANES, and it generates a lot of great questions, discussions, revelations, etc. about Storytelling.)  

Here is what Tony, a deeply thoughtful and compassionate man, as well as a voracious reader, shared with the LANES community:

“There are certain children who are told they are too sensitive, and there are certain adults who believe sensitivity is a problem that can be fixed in the way that crooked teeth can be fixed and made straight. And when these two come together you get a fairytale, a kind of story with hopelessness in it.

I believe there is something in these old stories that does what singing does to words. They have transformational capabilities, in the way melody can transform mood.

They can't transform your actual situation, but they can transform your experience of it. We don't create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable.” 
― Lynda Barry, What it Is

In response to Tony’s posting this quote on the LANES List-Serve, another Storyteller responded that she was having trouble interpreting Lynda Barry’s words.  This Storyteller was worried that she was “missing something” but, probably because she knew that Tony chooses the quotes that he shares with care and thoughtfulness and therefore it was a point worth pursuing, she initiated a discussion of the meaning behind Barry’s quote amongst our community.  

Meanwhile I had been digesting the quote ever since Tony posted it, repeatedly rereading the words, which had released a flood of emotions and memories.  When the questioning Storyteller posted her query on the LANES List-Serve, I felt compelled to respond.  I had reached a point where I could no longer keep my feelings - or my wounds - to myself, and it all burst forth in my response on the LANES List-Serve.  At the suggestion of another Storyteller on the List-Serve, I have posted it here:

Lynda Barry's quote had a very powerful resonance for me.  For the first 18 years of my life, I endured unceasing bullying at the hands of my peers; bullying which was compounded by the insensitivity and misunderstanding and sheer lack of imagination of many of the adults around me, who believed that the problem stemmed from an essential character flaw within me, the person targeted for bullying.  I was given to understand in no uncertain terms that my torment would cease if I could somehow learn to not be tormented.  To them, I was a honeypot of trouble, so no wonder that flies were attracted to me; it was up to me to fundamentally change what and who I was, not for the flies to stop their buzzing.  My refusal or inability to change simply reinforced their belief that there was something wrong and bad about me.  At best I was lazy - "not trying hard enough to fix my part of the problem"; at worst, I was a truly bad person, who deserved the badness that was drawn to me.

When Barry uses the phrase "fairytale, a kind of story with hopelessness in it", I guess you could say she was being metaphorical.  If I could be so bold as to translate her words for you, I believe that she is saying that there is a kind of sad and familiar narrative (what she calls a “story” or “fairytale”) being played out among children and adults, in schools and playgrounds.  She describes the narrative as a story/fairytale because that is shorthand for saying that it is a narrative which has been reenacted over and over and over, all over the world, throughout most of recorded time.  And she calls it "hopeless", because it continues to reenact itself even today, on school playgrounds and in classrooms and in homes everywhere, despite the efforts of many to stop it.

In other words, we aren't making the kind of progress we ought to be making to ease the psychic pain of children who are "different" from their peers.  We - the grownups - are failing to recognize that the "different" kids are just as worthy of love and praise and encouragement as their peers.  We are too focused on our besetting sin as humans - the desire to be similar, to fit in, and be the same - when our true virtue and our greatest strength is our differences, and our diversity.  

The human race did not get where we are today - did not make incredible advances to improve life - by means of uniformity of thought and appearance.  We have made amazing technological, medical, and artistic breakthroughs precisely because certain individuals among us were different.  But it took more than merely being uniquely different for them to prevail; those special individuals had to fight to maintain their precious essential true selves - despite intense peer pressure to conform - so as to achieve their special destiny: discovering a new way of dressing, a new way of communicating, a new way to cure a disease.  The very qualities that cause some of us to be teased on the playground and scolded in the classroom are PRECISELY those qualities that lead to some people growing up to be Beethoven, Einstein, or Coco Chanel.  After all, what do you suppose those Difference-Makers were like as children?  You can’t imagine that they conformed to the way all the other kids behaved and thought, dutifully bending their head when the teacher taught them that 2 + 2 = 4?  Not when they knew that it sometimes equals 7.  Difference-Makers are necessarily Different.

Lynda Barry understands this narrative, has seen it play out in real life, and has made the connection between real life stories of bullied children to Stories and Fairytales, in which imaginary children suffer and try to find their way in a harsh and insensitive world.  She recognizes that Stories and Fairytales provide many of us with psychic roadmaps, or at the very least a little bit of human understanding.  They show us that we are not alone in our suffering, that other people have also been persecuted or driven away for being different.  And that sometimes those folks find their way to happy endings, if they persevere and have hope.  Have you heard of the "It Gets Better" project?  It's an on-line film project where adults record themselves telling their stories about how badly they were teased and hurt in their youth for being gay, but how they have managed to survive to a happy, or at least better, adulthood.  Their mission is to give hope, in the form of stories, to gay youth who are facing the prospect of suicide as the only way to end the misery of their current existence.

As Barry says in the quote which Tony posted, "[Stories and Fairytales] can't transform your actual situation, but they can transform your experience of it."

I could continue to explicate Barry's extraordinarily wise and very rich words, but I have to take my daughter to her bassoon lesson.  As a personal aside, I want to mention that she is the only child in her school who plays bassoon, an instrument that looks and sounds like a loudly farting bed post; in fact, she plays it in her Jazz Band, where she is the only girl in an otherwise all-male ensemble.  I am thankful every day that she embraces her own uniqueness, and fearlessly faces the world as a Jazz Bassoon-playing girl.  She knows that doing something which nobody else does is not something to be ashamed of, but something to celebrate, something which can bring joy to people around her.  It feels like a miracle to me that when she honked out her solo (her Jazz Band leader arranged Michael Jackson's "Bad" for bassoon and Jazz ensemble; he is a man with fearless intelligence and imagination) last weekend in front of a gym-full of people, with the boys in her band playing backup, it never occurred to her that anyone would put her down for who she was and what she loved.

I am thankful for the grownups like Lynda Barry and my daughter's Jazz Band leader, who understand the value of ALL children, not just the normal well-adjusted ones, but the strange and unusual ones.  All of those children have something special to give, but only if we don't crush their spirits.  And yes, stories help.  I read stories and fairytales with hungry desperation throughout my childhood, and they were a kind of solace that, as Barry says, helped me to face the harsh reality of life in the "real" world.  "We don't create a fantasy world to escape reality, we create it to be able to stay."  For those youth who have no one to turn to and cannot sustain a nurturing fantasy world in the face of intolerable cruelty, many choose not to stay with us, to our eternal loss.  Because every time we hound a “different” child from our world, we lose a Difference-Maker.  

Let’s make our world a place where all children are loved and nurtured, so that each one can grow up to surprise and delight us with their gifts.
Posted by Doria at 12:23 PM 1 comment:

Tuesday, October 30, 2012

Recently, I told a story.  Not a remarkable event in and of itself, given that I'd told it before, but the venue was special, and so was the event.  I had the privilege of co-hosting massmouth's very first Adult Folk Tale Slam, with massmouth co-founder and doyenne of Storytelling Norah Dooley, at the magically delicious Puppet Showplace Theater, in Brookline Village.

There are so many reasons to love PST, the Boston area's premiere spot to check out the latest in the art of puppetry. Part of my personal feeling derives from the spellbound enjoyment I experienced there as a wee tot, on the rare occasions when my parents brought me in to town for a show. Utter joy, to see some of my favorite stories enacted before my eyes on a small stage, by beautiful little creatures, operated as if by magic, by clever characters in black gloves.  Years later, I had the distinct pleasure of bringing my own child to a show, and reliving that enchanting experience.
So it felt like coming full circle, to stand on that stage all by myself, and tell a story, acting as my own full-sized homunculus, string-free and slap-happy, as I regaled the audience with "The Laziest Lass in All Ireland." Our theme for this first Adult Folk Tale Slam was "Grimm & Twisted," in homage to the bicentennial of the publication of the Grimm brothers' famous collection of Folk Tales.  (If you're interested in massmouth's Adult Folk Tale Slams, you can click here for more information.)  The story I told is an Irish variant of a Grimm tale, known in their collection as "The Three Spinners."

I like this story, in part, because it is about fiber arts, and I'm an avid knitter.  It starts with a young woman who hates to spin, and won't take part in any of the work around her home.  She's a daydreamer, and if she had known how to read, she would most likely have been an unrepentant bookworm, like myself.  In short order, the heroine of the story finds herself in a large room filled with flax that needs spinning.  This is about where you'd expect someone like Rumpelstiltskin to show up, and make her an offer she can't refuse, if you know what I mean, but instead a cheerful and peculiarly deformed small woman - of obvious fairy extraction - appears, and does the spinning for her, in exchange for nothing more than an invitation to the heroine's wedding feast, which is anticipated with confidence.

This being a fairytale, of course there are a total of three visitations made by three mysteriously misshapen fairy females; the twist at the end comes when our heroine actually fulfills her obligation to her three helpers, against all expectation.  This rather shocked me when I first read this tale, since throughout the story, the young woman is portrayed rather unsympathetically; I confess that my expectations of her moral and intellectual fiber were pretty low.  It really took me by surprise when she actually follows through on her promises and allows these three strange looking creatures to attend her wedding feast.

Other than being pretty, the heroine has no noticeable appeal - no interesting character traits or talents - apart from a marked propensity to indulge in histrionics when things don't go her way.  You can't help but wonder, why do those three little ladies take such pains to help her out?  This question remains unanswered for the bulk of the story, but the threesome come through for the unnamed heroine, with the result that the prince of Ireland marries a seemingly worthless bride - or so she is in the eyes of his mother, who is a noted spinner and craftswoman.  When her rescuers do show up to her wedding feast, they pose as her aunts, and sit in places of honor at the high table with the bridal party.  As a result of their acceptance to this company, they take it upon themselves to cleverly bestow yet another extraordinary gift upon their purported niece, perhaps the most precious of all, at least to her.  (Read the story here to find out!)

My interpretation is, that the bride will win her mother-in-law over in the end, not because she is talented or diligent, but because she is well-endowed with powerful and magical family members (even if they are not related by blood).  Even more, our heroine reveals herself as a person who keeps her promises, and who honors the people who help her achieve her heart's desire.  Perhaps her innately honorable nature is what attracted her "aunts" in the first place?

An unusual moral for an unusual story, for it is not hard work and perseverance that wins the day here, as so often in Grimm tales.  Instead, loyalty and gratitude are rewarded and celebrated.  Sometimes it pays to be well-connected!
Posted by Doria at 5:16 PM 1 comment:

Tuesday, May 22, 2012

StoryStream Cambridge: "Back in the Day" StoryTrade for green living

StoryStream Cambridge: "Back in the Day" StoryTrade for green living: Folk Tale, Personal Story, Drawing MashUp by Norah Dooley  You can listen above to   Latest tracks by StoryStre...
Posted by Doria at 4:23 PM No comments:

Sunday, October 23, 2011

The Elephant in the Room

Last Friday, I introduced a story to the Kindergarten class I am working with
at the Gardner Pilot Academy, through their Young Audiences Friday Enrichment program. I call it "Six Blind Men Meet an Elephant", and it derives from the storytelling tradition of India. This tale is well-known throughout Asia, from Thailand to Japan, and has been interpreted according to the tenets of several religions, most notably Jain, Buddhism, Sufi Islam, and Hinduism. A nineteenth-century American poet is credited with first introducing this well-established narrative to a Western audience, in the form of a rhyming poem.

The story goes as follows:

Six blind men have long debated amongst themselves the concept of an elephant. Having heard differing stories from sighted individuals over the years concerning this creature, they each have their own notions as to whether it exists, and if it does, what its nature is.

Eventually, they are brought into the presence of a real living pachyderm, however this merely compounds the problem, since e
ach man - literally and figuratively - grasps only one part of the beast's anatomy. Meaning that while one man (who is holding the trunk) asserts that an elephant is a snake-like being, another (feeling a huge swaying ear) refutes the first's findings, claiming
that the elephant is delicate and ever-moving, like a fan. Each of the other four likewise pronounces with utter certainty and equal obstinacy as to the great mammal's physical qualities.

Their incessant debating is only halted when an observer - variously a king or a wise man - points out that, although each man is correct, none of them will possess the full and complete truth concerning the elephant's nature until he is willing to absorb and acknowledge the truth of his companions.

It's a marvelous story, and one that works well for children and adults of almost any age. My kindergarten class of 20 kids - we've been
gaining a student almost every week since school began!? - struck me as the perfect audience for a moral-bearing story of this sort, which seems simple, but actually goes pretty deeply into human psychology.

As individuals, we are often strongly convinced of our own correctness, as informed by the feedback we receive from the external world. However, each of us receives that feedback via the filtration system that is our individual brain and consciousness, which is formed in part out of our unique collection of prior experiences. These experiences precondition us toview our world and its inhabitants and occurrences from a perspective that, while generally human, is not identical to that of any other individual human. Whether we like it or not, as social beings, all humans depend on each other, to varying degrees, in order to more fully - if not absolutely - comprehend the complexity of our universe.

In other words, we can't all be absolutely right about everything all of the time. Even if we each secretly believe that we are. (That sound you hear is my husband trying not to chuckle.)

The story of the Blind Men and the Elephant has spread far beyond Asia, and has also moved beyond its role as a narrative with a moral. In fact, it is now often used as a kind of parable for any situation in which groups or individuals are not pooling their knowledge or resources, and thus missing a broader point. It's analogous to the old saw "missing the forestfor the trees."

A quick internet search reveals that this tale is used in a wide range of didactic and current topics, ranging from Cyberlaw to Business to Biomechanics, and more. But the most frightening and prescient contemporary analogue that I found is contained in the following cartoon:


Scary, no?

Attributions of images: 1st image Jain story, 2nd image "Blind Monks Examining an Elephant", 3rd image from "Contextures: the blog".
Posted by Doria at 5:24 PM No comments:
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Doria
I am a professional storyteller, a mom, a wife, a cat-lover, a pretty decent cook, a scholar, a musician, and I love jokes.
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The Children of the Morning Light: Wampanoag Tales as told by Manitonquat

The Children of the Morning Light : Wampanoag Tales as Told By Manitonquat The Children of the Morning Light : Wampanoag Tales as Told By Manitonquat My rating: 5 of 5 stars A beautifully written book, comprised of a series of Wampanoag myths and legends retold in a lovely and comprehensible sequence. The tales are retold in clear, engaging prose, somewhat reminiscent of an oral telling style, with conversational asides that do not distract but rather amplify the warm underlying message of unity, inclusion and hope. Inspiring, heartening and very enjoyable to read. View all my reviews >>

My Shelfari Bookshelf

Shelfari: Book reviews on your book blog

"Sense and Sensibility and Sea Monsters" by Jane Austen and Ben H. Winters

Sense and Sensibility and Sea Monsters Sense and Sensibility and Sea Monsters by Ben H. Winters

My rating: 4 of 5 stars A very fun read, almost as good as "Pride and Prejudice and Zombies." Yet somehow the ending left me with the feeling that something was lacking. Apocalyptic visions of leviathan-induced destruction are all very well, but really, how does this connect to, or inform, the fundamental problem of how to bag a man? Plus, I found the whole sea witch angle rather weak, and not well thought out. Too much of a rabbit out of the hat trick to feel like an authentic part of the narrative, whereas the recurring motif of flesh-hungry octopi I found to be both dramatically effective and seamlessly integrated into the story line. Sub-Marine Station Beta was also a fun concept, that worked quite well, menaced from within and without by both questionable morality and man-hungry aquatic life. My favorite part of the book, oddly enough, was probably the Reader's Discussion Guide at the end, in particular, question #6, which follows: It would be too easy to attribute Marianne's disinterest in Colonel Brandon merely to the fact that she is smitten with Willoughby. Does she overlook the steadfast and wise Brandon as a suitor primarily because of his age? Because he has been "attached" before? Or because of the unspeakable, writhing carnival mask of his lower face? I recommend reading this book over sushi lunch! View all my reviews >>

"Tar Baby" by Toni Morrison

Tar Baby Tar Baby by Toni Morrison

My review

rating: 5 of 5 stars
I should preface this review by apologizing for the fact that this is the only one of Toni Morrison's novels that I have read, so I can claim no expertise in judging the overall quality or consistency of her body of work, only present my honest opinion of this one book. I think this is an extraordinary and moving work of fiction. Yet writing the word "fiction", I question whether or not this label is fair or accurate. Sure, Jadine, Ondine, Margaret, Son et al are not "real", but they are honestly drawn, realistically portrayed, and so they are, in a sense, true. At the very least, they are fully human, and not simply a set of archetypes parading around for our prurient amusement. Ondine and Gideon and Valerian and the rest made me feel uncomfortable at times, the rawness of their humanity laid bare before me, yet there was nothing gratuitous or forced about their vulnerability. Their exposure to my curious eye felt oddly natural, and required me to acknowledge the truth of their words/thoughts/feelings.

I concede that the ending is hard, even frustrating, as another reviewer pointed out. But does an artist such as Morrison owe us anything other than Truth and Art? I respectfully submit that the unspoken contract that implicitly exists between Author and Reader does not guarantee a neat and tidy ending. Why should we close the book expecting to feel "satisfied", as if we had just eaten a cozy meal? If you want to feel a neat sense of closure and not take one step out of your comfort zone, read Danielle Steele; if you want something more from your reading experience, take a risk and read Toni Morrison. I'm glad I did.

View all my reviews.

The Journal of Hélène Berr

The Journal of Helene Berr This book hurt to read. In part because Berr's writing - even in translation (tho' not entirely, since apparently much of the journal was written in English, in which she was fluent) - is beautiful and lucid. But even more because of the sickening and inescapable knowledge which haunts the reader throughout the duration of this book, of what was to come, and what would ultimately befall her. The book itself is not long, but the sense of awful waiting and knowing seemed to slow the process of reading down so that, at times, it almost felt as tho' I was experiencing Berr's life in real time. I think this effect was more pronounced because I tended to read it in small sections. I needed time to digest/process much of what she recounted, I simply couldn't "devour" this book like a novel. I was grateful for some of the explanatory material that accompanied Berr's writing - footnotes, forward and afterword - which elucidated a lot of potentially obscure details which otherwise would have escaped me entirely. Needless to say, this is an important book, a rare first-hand account of what happened under Nazi rule, written by a young woman who, surrounded by injustice and inhumanity, wrote "I still believe that good is superior to evil."

Wonderful description of the Golden Raven Storytelling Circle

http://www.innertapestry.org/columns/8-healing/10-storytelling-a-vital-ingredient-for-living-life.html

Alice in Wonderland, by L. Carroll

Alice in Wonderland and Though the Looking-Glass (Classics) We recently finished reading these two strange and absorbing tales to our 8-year-old. They are both well written, tho the first more so than the second. Carroll deftly portrays the mindset of a 7-year-old girl as she navigates and self-narrates a bewildering array of increasingly preposterous and bizarre situations and characters. Alice plays word-games with characters like the Mock Turtle and a hookah-smoking caterpillar, as well as games of a more psychedelic, symbolic and psycho-social nature. Surprisingly, all of this is not so far above the heads of young children as one might think, and I could tell that my child found Wonderland oddly comprehensible; perhaps because it is from a child's perspective that this world of absurdities is being viewed (much the way a child views - and accepts - the world of adults as absurd and phantasmagorical). I found the book clever and a refreshing break from the slew of disposable "family" films being churned out these days, in which movie-makers attempt unsuccessfully to appeal simultaneously to children (with bright colors and animation and slapstick humor) and their parents (with sly innuendo and unsubtle jabs at the contemporary establishment). Against all rational expectation, a century ago Lewis Carroll succeeded in doing on paper what Pixar and Disney - with limitless budgets and minions - fail to achieve on film.

Favorite Stories I tell (believe me, this is only the tip of the iceberg)

  • Anansi and his 6 Talented Children (Ashanti: Ghana) - PreK + up
  • Appointment in Samarra (Iraq, Somerset Maugham) - 3rd + up
  • Argument Sticks (Iroquois) - 2nd + up
  • Bastianello + the Three Fools (Italian) - K + up
  • Freydis in Vinland (Norse) - 1st grade + up
  • Gawain, the Dwarf (Arthurian) PreK + up
  • Ghost Soup (India) - PreK + up
  • Grandmother Spider Brings the Light (Kiowa/Cherokee) - Pre-K + up
  • Gunnar the Troll (Norse) - K + up
  • Highland Cows in Skye (personal) - K + up
  • Hoichi Mimi-Nashi (Japanese) - 1st grade + up
  • http://en.wikipedia.org/wiki/Anansi
  • The Bamboo-Cutter’s Tale/Kaguya-hime/Moon Princess (Japan) K + up
  • The Butterfly Friends - Nursery-PreK
  • The Butterfly Robe (Chinese) - PreK-2nd grade
  • The Cake Tree (Sri Lanka) - K + up
  • The Channukah Table (Jewish: Chelm) - K + up
  • The Chanukah Tree (Jewish: Chelm) - K + up
  • The Chenoo (Passamaquoddy/eastern Maine) - K + up
  • The Dagda + the 2nd Battle of Moytura (Irish) - adult only
  • The Dragon’s Pearl (Chinese) - K-2nd grade
  • The Dubner Magid + Ivan (Ukrainian Jewish) - 1st grade + up
  • The Fir Darrig and the Black Pudding (Irish) - K + up
  • The Forest Spirit (Arawak) - K + up
  • The Fraid (Jamaica) - K + up
  • The Frog Princess (Russia) - K + up
  • The Ghost in the Haunted Hotel Room (?) - K-3rd grade
  • The Gigantic Turnip (Russia) - PreK + up
  • The Guitar Player (USA) - K-3rd grade

Links to friends, family and fun

  • massmouth blog - Bay State Tellers are telling it like is!
  • Doriastories - my website
  • Curtis K. Hughes: husband, father, composer
  • Rosemarie Beck - my late grandmother's beautiful work
  • Norah Dooley: storyteller, mentor, teacher, inspiration
  • Andrea Lovett gives herself joyfully and wholeheartedly to Story
  • Wayne Potash, awesome and talented musician and entertainer
  • LANES
  • Sarah Bob, pianist and extraordinary person
  • The Golden Raven Storytelling Circle in Maine
  • GoodReads

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