Friday, June 27, 2008

Hip Hop Tale

This past Tuesday I made it back to Brother Blue's weekly open mic and offered up a stripped down, bare bones telling of a naughty bunny.  In Kenya, he is known as Sungura, and thanks to the African diaspora, he evolved into Bre'r Rabbit.  He is surely one of the forefathers of Bugs Bunny, and probably a cousin of Zomo, another wicked rabbit trickster.Zomo the Rabbit: A Trickster Tale from West Africa (Thank you Amazon.com)

I told the story of Sungura and the well, in which the lazy rabbit refuses to help his fellow animals dig a well during a drought; as punishment the animals take turns guarding the well to prevent him from drinking from it.  Naturally, our wily friend tricks them and drinks his fill, only to be tricked in the end by his own impatience and avarice.

What I love about this tale is how its African-American tellers added West African and North American elements to this East African tale, to create a wholly syncretic and marvelously clever new variant of this terrific story which preserves the original luster and lessons of its earlier tellings, while remaining authentically a part of the African-American oral tradition.

That's some clever bunny.
                                                          

Wednesday, June 18, 2008

The Golden Raven Storytelling Circle

The hidden circle of story telling

Towards the end of July, I'll be heading north to tell at Roland Watier's Golden Raven Storytelling Circle.  If you haven't been to this marvelous outdoor venue, it is absolutely not to be missed.  There is nothing like storytelling under a rising moon on a warm July night in Maine, as I learned last year!

Come check me out on Saturday July 26, when I'll be joining Debra Ballou for a family program.  Here are directions, and a calendar of upcoming events at the Circle.

Monday, June 16, 2008

MassMouth

Big news everyone!  I want to introduce you all to a new forum for Massachusetts storytellers, called massmouth.  Started by Norah Dooley and Andrea Lovett, this blog promises to be a wonderful way for Bay State Tellers to chat, share ideas + stories, network, and generally Mouth Off.  One of the cool features of this blog is that it has links to Mass. Tellers' blogs (like this one!), so you can catch up with friends and fellow-tellers, weigh in with your thoughts and queries, and see what's the latest buzz.  Check it out!    

Thursday, June 5, 2008

Skulls That Talk

I am currently preoccupied with talking skulls.  Not the kind that you plug in and put in the middle of a candy dish at Hallowe'en.  The kind you encounter if you walk through the woods (or a book) with too cocky an air of self-satisfaction.  I've found several variants of this motif - primarily in stories from central Africa - and the narratives they occur in generally go something like this:

Cocky young man walks through the woods
Meets talking skull
Ignores skull's warnings and runs to tell Chief
Brags to Chief about talking skull
Skull won't talk
Chief has young man killed
Skull scolds young man

What fascinates me most about these tales, is that the Skull warns and censures the young man for TALKING.  The moral of these stories, in fact, is that Talking Gets You Into Trouble.  Or, condensed, Talking = Death.  

How can a Storyteller tell this?

First off, it's a funny bit of irony that this particular story has survived for as long as it has, and spread as far from its source as it has; the Talking Skull motif is found in African-American tales and art (see cool sculpture below).  So the story is ambiguous: on the one hand it warns us that talking is dangerous (as I quickly learned in elementary school), however we can read between the lines (so to speak) and understand that talking is what makes us who we are as human beings.  Flawed, cocky, obnoxious, too clever for our own good, and inevitably mortal. But none of that will stop us from telling our truths, and getting into trouble for it.

That talking skull is a challenge - irresistible to a storyteller - to open our mouths and talk back.  The Dead surely speak to us and teach us (if we will only listen), but their stories belong to us, the Living.  We must tell their stories, and also add our own.... and pass them all along.

Let's Keep talking!


Talking Skull, by Meta Fuller, from the Museum of African-American History, Boston
A sculpture of a young man kneeling before a skull.
I found this image at ExplorePAhistory.com

Tuesday, May 20, 2008

Loren Niemi rocks at Passim's

Last night, Loren Niemi told at Passim's - wow.  As I mentioned at the time, I enjoyed the sensation of surrendering myself to the Story of Fata Morgana, the Widow, the Countess, the Baker, and the Map-Maker, as Loren was telling it, being carried away by a combination of his words and my self-generated images.  Storytelling is truly a collaborative venture for this reason: both storyteller and listener co-create the experience as it is occurring.  Even in the act of "surrendering to story" we listeners are still driving the (in the case, broken-down VW bug) bus alongside of the Storyteller.  What a privilege!  I felt like the red dog (fox?) that jumped through the window of the bus to obstinately sit next to the Baker, looking expectantly at him, as if to say "Okay, where to next?"

Tell on, oh tellers, tell on!

A hearty cheer and hug to the inimitable Laura Packer for making this marvelous event a reality.  It was a great show and a packed house!

Friday, May 2, 2008

New Gal concert series

Last night at the Community Music Center in South Boston, we enjoyed a marvelous concert.  It was part of Sarah Bob's New Gallery Concert Series, and it featured the artwork of Jessica Burko, as well as the music of my better half, Curtis Hughes, and other marvelous composers such as Lee Hyla, Donald Martino, Helmut Lachenmann and Arvo Part.  A glorious smorgasbord of music and art!  I had the chance to talk briefly about my grandmother, artist Rosemarie Beck, whose work was also featured last night, in the form of a marvelous self-portrait which she painted in 1955.  To give a sense of the scope of her work, here's something from early on in her career:
House of Venus III, 1957

....and here's something from later on:

Safely in the Harbor, from The Tempest, 1976-77

It was an incredibly satisfying experience for both eye and ear, and I was thrilled at how beautifully members of the Firebird Ensemble played "The Beck Journals Volume 1" and "The Beck Journals Volume 2".  Went home floating on a cloud!

Wednesday, April 23, 2008

Am I Blue?

Last night was my first night back at Brother Blue and Ruth's open mic in longer than I can remember.  It is truly a privilege to be able to both attend and participate at this strange and marvelous event.  Every time I go, I have the chance to grow as a teller.  How wonderful to see and feel the friendly faces of fellow tellers beaming upon me as I find my way through my latest "discovery".  

This time I tried out a Nigerian-Yoruban folk tale that captured my interest quite some time ago, about a brash young man and a talking skull that teaches him a tough lesson.  (Anyone know this one?  I'm planning on researching it further, I think it has a lot to teach me....)  Part-way through, I realized that I was telling this West African tale as if it was a jewish joke!?!  I've been telling so many of those lately - as I always do this time of year - because of Passover.  Funny how things spill over from one telling to another; in my mind, stories are so inter-connected with each other, I sometimes find it hard to separate them!  But strangely, it is by means of my mental "web" that I remember each one of them so distinctly........